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The Dave Clark Five
Phil Spector
The Velvet Underground
Brinsley Schwarz
Earl Palmer
Buffalo Springfield
Derek & the Dominos
Nick Lowe
Junior Walker
The Animals
Jeff Beck
Roy Brown
Dion
Dire Straits
The Doors
Duane Eddy
Faces
Gene Vincent
Otis Blackwell
The Band
The Beach Boys
The Beatles
Chuck Berry
Johnny Cash
The Coasters
  Eddie Cochran
Creedence Clearwater Revival
Dick Dale
Bo Diddley
Fats Domino
Bob Dylan
The Everly Brothers
Bill Haley
Buddy Holly
Elton John
The Kingsmen
The Kinks
Brenda Lee
John Lennon
Jerry Lee Lewis
Little Richard
Lynyrd Skynyrd
Paul McCartney
The Move
Rick Nelson
Roy Orbison
Johnny Otis
Carl Perkins
Tom Petty
Elvis Presley
Punk Rock returned rock & roll to the basics -- three chords and a simple melody. It just did it louder and faster and more abrasively than any other rock & roll in the past. Although there had been several bands to flirt with what became known as punk rock -- including the garage rockers of the '60s and the Velvet Underground, the Stooges, and the New York Dolls -- it wasn't until the mid-'70s that punk became its own genre. On both sides of the Atlantic, young bands began forsaking the sonic excesses that distinguished mainstream hard rock and stripping the music down to its essentials. In New York, the first punk band was the Ramones; in London, the first punk band was the Sex Pistols. Although the bands had different agendas and sounds -- the Ramones were faster and indebted to bubblegum, while the Pistols played Faces riffs sloppier and louder than the Faces themselves -- the direct approach of the bands revolutionized music in both the U.K. and the U.S. In America, punk remained an underground sensation, eventually spawning the hardcore and indie-rock scenes of the '80s, but in the UK, it was a full-scale phenomenon. In the U.K., the Sex Pistols were thought of as a serious threat to the well-being of the government and monarchy, but more importantly, they caused countless bands to form. Some of the bands stuck close to the Pistols' original blueprint, but many found their own sound, whether it was the edgy pop of the Buzzcocks, the anthemic, reggae-informed rock of the Clash, or the arty experiments of Wire and Joy Division. Soon, punk splintered into post-punk (which was more experimental and artier than punk), new wave (which was more pop-oriented), and hardcore, which simply made punk harder, faster, and more abrasive. Throughout the '80s, punk was identified with the hardcore scenes in both America and England. In the early '90s, a wave of punk revivalists -- led by Green Day and Rancid -- emerged from the American underground. The new wave of punk rockers followed the same template as the original punks, but they tended to incorporate elements of heavy metal into their sound.
Wire
The Sex Pistols
Television
X
Blondie
Buzzcocks
The Clash
Elvis Costello
The Damned
The Fall
The Jam
The Ramones
Suicide
Stiff Little Fingers
The Psychedelic Furs
The Germs
The Mekons
Cockney Rejects
The Only Ones
Richard Hell
The Saints
Bad Religion
Ian Dury
Eddie & the Hot Rods
Mission of Burma
Siouxsie and the Banshees
 
  The Slits
Johnny Thunders
X-Ray Spex
The Rezillos
Liliput
Jim Carroll
Lester Bangs
Fear
Malcolm McLaren
Plasmatics
Crass
Wipers
The Embarrassment
The Dickies
Dead Boys
Tom Robinson
Social Distortion
The Undertones
The Adverts
Angelic Upstarts
The Anti-Nowhere League
The Boomtown Rats
Generation X
Pennywise
Alternative Pop/Rock is essentially a catch-all term for post-punk bands from the mid-'80s to the mid-'90s. Though there is a variety of musical styles within Alternative Rock, they are all tied together since they existed outside of the mainstream. In some ways, there are two waves of alternative bands, with Nirvana's success in 1991 acting as a dividing point. In the '80s, most alternative bands were on independent labels; if they were on majors, they didn't receive as much support as most of the label's mainstream acts. During the '80s, alternative included everything from jangle pop, post-hardcore punk, funk metal, punk pop, and experimental rock. After Nirvana's popularity in the '90s, alternative included all of these subgenres, but many of the edges were sanded off because the music was now being marketed as part of the mainstream. Hard rock and punk-derived music were more commercially successful than the left-of-center pop that dominated late-'80s alternative pop/rock, so alternative lost some of its quirkier tendencies in the '90s. Most experimental bands were relegated to indie rock.
Wire
Hüsker Dü
My Bloody Valentine
The Cure
The Smiths
Soundgarden
New Order
Stone Temple Pilots
The Smashing Pumpkins
Portishead
The Jesus and Mary Chain
The B-52's
Alanis Morissette
The Soft Boys
Timothy Leary
Tricky
Uncle Tupelo
Blur
Suede
Pavement
The Verve
Sinéad O'Connor
Liz Phair
The Stone Roses
Weezer
X
XTC
 
  Bad Brains
Bauhaus
Beastie Boys
Beck
Björk
Kate Bush
Depeche Mode
Ani DiFranco
Dinosaur Jr.
Echo & the Bunnymen
The Fall
Green Day
Jane's Addiction
Massive Attack
Ministry
Minutemen
Moby
Nine Inch Nails
Oasis
Pearl Jam
Phish
Pixies
Primal Scream

Indie Rock

There have always been independent labels in the history of rock & roll, but Indie Rock refers to the independent rock music of the early '90s. After Nirvana inadvertently brought alternative music into the Top Ten in 1991, many alternative bands resisted the fact that their music was becoming popular, so they went further underground. They refused to sign to major labels and adhered to their independent, punk ideals. Not all of the music sounds the same, but nearly every indie-rock band is based in post-punk guitar rock of the '80s.

The Smashing Pumpkins
Pavement
Liz Phair
Beck
Ani DiFranco
Dinosaur Jr.
The Fall
Sebadoh
Sonic Youth
Stereolab
Big Black
Slint
Sunny Day Real Estate
Palace
American Music Club
Bikini Kill
Pussy Galore
Fugazi
The Breeders
Beat Happening
The Clean
Superchunk
Ween
Camper Van Beethoven
Spiritualized
Half Japanese
Julian Cope
Galaxie 500
Guided by Voices
Mercury Rev
Bob Mould
Sleater-Kinney
Jon Spencer Blues Explosion

 
  They Might Be Giants
Unrest
Wilco
Mission of Burma
PJ Harvey
The Pernice Brothers
Tortoise
The White Stripes
Yo La Tengo
Dashboard Confessional
Ladytron
The Strokes
Arctic Monkeys
Jim O'Rourke
Throwing Muses
The Red Krayola
This Mortal Coil
Galaxie 500
Guided by Voices
Mercury Rev
Bob Mould
Sleater-Kinney
Jon Spencer Blues Explosion
They Might Be Giants
Unrest
Wilco
Mission of Burma
PJ Harvey
The Pernice Brothers
Tortoise
The White Stripes
Yo La Tengo
Dashboard Confessional
Ladytron
The Strokes
Arctic Monkeys
Jim O'Rourke
Throwing Muses
The Red Krayola
This Mortal Coil