Named "Long
Tall Dex" for his 6-foot 5-inch frame, Dexter
Gordon was a pioneering, full-fledged bop
tenor saxophonist. His raw-boned tone and
melodious phrasing combined the best of
Coleman Hawkins and Lester Young. Charismatic
and debonair, Gordon made a career of
expertly blending rhythm and romance on the
bandstand and the silver screen.
The Los
Angeles native was born on Feb. 27, 1923, and
took up the clarinet at the age of 13. He
studied under the tutelage of Lloyd Reese,
who also counted Charles Mingus and Buddy
Collette as pupils. His big break came in the
early '40s with Lionel Hampton, and he made
his debut as a leader three years later.
After working with Louis Armstrong and Dizzy
Gillespie, Gordon joined Billy Eckstine's
band in 1944 and moved back to California two
years later. His recorded "duel" with
saxophonist Wardell Gray entitled "The Chase"
and his collaboration with Teddy Edwards
garnered the attention of critics, as did his
early sides with the Savoy label. He worked
with Singer Helen Humes in 1950 and was
featured in the play, The Connection,
in 1954. In the '60s, Gordon enjoyed a long
association with Blue Note Records and wrote
numerous compositions of note, including
"Tanya" and "Cheescake."
In 1962
Gordon traveled to London and stayed in
Europe for 15 years, living in Copenhagen. In
1976, Gordon enjoyed a hero's welcome in the
U.S. when he played the Village Vanguard, and
joined Columbia Records, which featured him
with Slide Hampton and Woody Shaw. Now back
in the United States for good, Gordon's
career was rejuvenated. In 1986, it
culminated with his brilliant and poignant
portrayal of Dale Turner for the motion
picture Round Midnight -- a character
based on Bud Powell and Lester Young, based
in Paris. The portrayal landed him an Academy
Award nomination for Best Actor. His last
major concert was a trio/orchestral date with
the New York Philharmonic. He died on April
26, 1990.
In 1980,
Gordon was elected by the Readers into the
Down Beat Hall of Fame.
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