SESSION 1-DEC22/47-ART BLAKEY MESSENGERSKenny Dorham(tp)Howard Bowe(tb)Sahib Shihab(as)Musa Kaleem(Orlando Wright)(ts)Ernie Thomson(bar)Walter Bishop(p) Laverne Baker(b) Art Blakey(d)
The Thin Man
Bob Alley
Groove Street
Musa Vision

New Sounds(Blue Note-BLP5010/CD  B2-84436)
This historically significant CD collects together two sessions led by tenor saxophonist James Moody in 1948 (when he was a member of Dizzy Gillespie's big band) along with drummer Art Blakey's first recording date as a leader. Moody's music features boppish arrangements by Gil Fuller and solos by trumpeter Dave Burns, altoist Ernie Henry and baritonist Cecil Payne while the Blakey set (originally released under the title of Art Blakey's Messengers) features an octet that includes trumpeter Kenny Dorham, altoist Sahib Shihab and pianist Walter Bishop. Classic and formerly rare music. -- Scott Yanow, All Music Guide


SESSION 2-OCT31/53-ART BLAKEY AND THE JAZZ MESSENGERS
Kenny Dorham(tp)Lou Donaldson(as)Horace Silver(p)Gene Ramey(b)Art Blakey(d)
An Oscar For Oscar
If I Love Again

Hooray For Blakey (Session 110)

SESSION 3-NOV 23/53-ART BLAKEY/SABU-BLUE NOTE-BLP1520
Art Blakey(d)Sabu(bgo-cga)
Nothing but Soul
Message from Kenya

Horace Silver (Blue Note BLP1520)

 
SESSION 4-FEB 21/54-ART BLAKEY & THE JAZZ MESSENGERS
Clifford Brown(tp)Lou Donaldson(as)Horace Silver(p)Curley Russel(b)Art Blakey
Once In A While
Quicksilver
Quicksilver(alt.take)
Wee Dot
Blues
The Way you Look Tonight
If I Had You
Nows The Time
Split Kick
A Night In Tunisia
Mayreh
Confirmation
Lullaby Of Birdland

A NIGHT AT BIRDLAND VOL1&2(BLUENOTE1521-1522)
Just prior to forming the first edition of the Jazz Messengers, drummer Art Blakey led a superb quintet at Birdland for a brief gig in 1954. The band featured the great trumpeter Clifford Brown, altoist Lou Donaldson, pianist Horace Silver and bassist Curly Russell in addition to the leader/drummer. All of the music has since been reissued as part of a Clifford Brown box set for Mosaic, but this is the original LP. The first volume is highlighted by "A Night in Tunisia," "Quicksilver" and "Once in a While" and finds all of the participants in inspired form. Classic bop. -- Scott Yanow, All Music Guide
The second volume taken from Art Blakey's pre-Jazz Messengers gig at Birdland features the immortal trumpeter Clifford Brown, altoist Lou Donaldson, pianist Horace Silver, bassist Curly Russell and the leader/drummer romping through the blues "Wee-Dot," two Charlie Parker tunes, an alternate version of "Quicksilver" and a Donaldson ballad feature on "If I Had You." All of the musicians are inspired, none more than Blakey who would soon form The Jazz Messengers as a permanent outlet for his hard-swinging drums. -- Scott Yanow, All Music Guide

SESSION 5-MAR24/54-ART BLAKEY
Henry Durant(ts)Horace Silver(p)Percy Heath(b)Art Blakey(d)
In the basement
Little girl blue
Autumn Breeze
EMARCY-MG36071


SESSION 6-MAY20/54-ART BLAKEY
Joe Gordon(tp)Gigi Gryce(as)Walter Bishop(p)Bernie Griggs(b)Art Blakey(d)
Minority
Salute to Birdland
Eleanor
Futurity
Simplicity
Strict Romantic
Hello
MayRah

EMARCY-MG26032


INTRODUCING JOE GORDON:September 3 & 8,1954
Personnel: Art Blakey (drums); Charlie Rouse (tenor saxophone); Joe Gordon (trumpet); Junior Mance (piano); Jimmy Schenck (bass).
Rifftide
Lady Bob
Grasshopper
Theme, The
Bous Bier
Xochimilco
Evening Lights
Body And Soul


SESSION 6-NOV23/55-ART BLAKEY & THE JAZZ MESSENGERS
Kenny Dorham(tp)Hank Mobley(ts)Horace Silver(p)Doug Watkins(b)Art Blakey(d)
Soft Winds
The Theme
Minors Holiday
Alone Together
Prince Albert
Avila And Teqil
Sporting Crowd
Like Someone In Love
Yesterdays
I Waited For You
Lady Bird
Whats New
Deciphering The Message
Just One Of Those Things
Hank's Symphony
Gone With The Wind


AT THE CAFE BOHEMIA VOL1&2-BLUE NOTE-1507-1508
This first of two LP volumes features the original version of The Jazz Messengers, the quintet co-led by drummer Art Blakey and pianist Horace Silver that also featured trumpeter Kenny Dorham, Hank Mobley on tenor and bassist Doug Watkins. Caught live, the band stretches out on such numbers as "Soft Winds," ' "Minor's Holiday," "Alone Together" and Dorham's "Prince Albert." Highly enjoyable and still timeless music. -- Scott Yanow, All Music Guide
The second of two LP volumes showcasing the 1955 Jazz Messengers features Art Blakey, Horace Silver, Kenny Dorham, Hank Mobley and Doug Watkins digging into such strong material as Mobley's "Sportin' Crowd," "Avila and Tequila" and three standards. This band has influenced jazz up to the present day and was in fine form for this live appearance. -- Scott Yanow, All Music Guide


SESSION 7-APR5/56-ART BLAKEY & THE JAZZ MESSENGERS
Donald Byrd(tp)Hank Mobley(ts)Horace Silver(p)Doug Watkins(b)Art Blakey(d)
Its You Or No One
The End Of a Love Affair
Nica Dream
Infra-rae
Carol"s Interlude
Ecarol
Hank's Symphony

ART BLAKEY & THE JAZZ MESSENGERS(COLUMBIA 897)
The original version of The Jazz Messengers only lasted around a year, cutting four albums before the departure of pianist and chief composer Horace Silver. This LP (which also features trumpeter Donald Byrd, Hank Mobley's tenor and bassist Doug Watkins) is highlighted by the earliest recordings of two of Silver's songs, "Nica's Dream" and "Ecaroh," and plenty of typically hard swinging from the band. -- Scott Yanow, All Music Guide
This CD reissue brings back the music on the earlier LP titled Art Blakey with the Original Jazz Messengers, plus five other selections (just one of which is an alternate) from the same two sessions that were formerly out on imported sets; "Deciphering the Message" was previously unreleased altogether. These were the last recordings by the Art Blakey-Horace Silver Jazz Messengers before pianist Silver went out on his own and the first edition disbanded. Trumpeter Donald Byrd, tenor saxophonist Hank Mobley and bassist Doug Watkins (along with Silver and Blakey) are in excellent form. Silver's "Nica's Dream" is heard here in the original version, and the band is typically hard-swinging throughout the 76-minute-plus program. -- Scott Yanow, All Music Guide

SESSION 8-MAY 4/56-ART BLAKEY &THE JAZZ MESSENGERS
Donald Byrd(tp)Hank Mobley(ts)Horace Silver(p)Doug Watkins(b)Art Blakey(d)
Late Show- April 5/56
Ill Wind-April 5/56
Weird -o-May 4/56
Carols Interlude(alt tk)-May 4/56
Donald Byrd(tp)Ira Sullivan(ts)Kenny Drew(p)Wilbur Ware(b)Art Blakey(d) Rec: June 25/56
LilT
The New Message
Gershwin Medley

ORIGINALLY(COLUMBIA-FC38036)
This LP contains valuable performances by the early Jazz Messengers that sat unissued until decades later. Four selections feature the band when drummer Art Blakey and pianist Horace Silver were co-leaders; trumpeter Donald Byrd, Hank Mobley on tenor and bassist Doug Watkins were also in that quintet. Two numbers from June 1956 find Blakey as sole leader of The Messengers for the first time, heading an otherwise unrecorded unit with Byrd and multi-instrumentalist Ira Sullivan. This LP concludes with a humorous Gershwin medley from later in the year with altoist Jackie McLean and trumpeter Bill Hardman in prominent roles. Although not an essential set, Art Blakey fans will find this album to be a valuable gapfiller in the history of The Jazz Messengers. -- Scott Yanow, All Music Guide

SESSION 9-DEC12/13/56-ART BLAKEY & THE JAZZ MESSENGERS
Bill Hardman(tp)Jackie Mclean(as)Sam Dockery(p)SpankyDeBrest(b)Art Blakey(d)
Cranky Spanky
Stella By Starlight
Little Melonae
My Heart Stood Still
Stanley Stiff Chickens

HARD BOP(COLUMBIA 1040)

This LP features The Jazz Messengers shortly after pianist Horace Silver departed to form his own band. With altoist Jackie McLean and trumpeter Bill Hardman as the key soloists (pianist Sam Dockery and bassist Spanky DeBrest completed the quintet), this group was already a potentially great outfit although its most glorious days were still in the future. Three group originals (including McLean's "Little Melonae") and two standards are performed during this fine set. -- Scott Yanow, All Music Guide


SESSION 10-JAN14/57-FEB11/57 THE JAZZ MESSENGERS FEATURING ART BLAKEY
Bill Hardman(tp)Jackie Mclean(as)Sam Dockery(p)SpankyDeBrest(b)Art Blakey(d)
Once upon a Groove
Sam's Tune
Touche
LittleT
Exhibit A
Scotch Blues
Wake Up
Ritual

RITUAL(BLUE NOTE-CDP7468582)
Interesting, uneven '57 date that contains a lengthy drum piece by Blakey. This was not his greatest group, although alto saxophonist Jackie McLean was among the hardest blowers he ever employed. Bassist Spanky Debrest and trumpeter Bill Hardman were good musicians, but a notch below the others who filled their roles in future Messenger editions. -- Ron Wynn, All Music Guide
Following the original all-star version of The Jazz Messengers and preceding the Lee Morgan-Benny Golson band of late 1958, the group that drummer Art Blakey led in 1957 has tended to be overlooked. Featuring altoist Jackie McLean and trumpeter Bill Hardman, this particular outfit soon set the standard for the many versions of The Jazz Messengers that would follow, featuring originals by Blakey's young sidemen, hard-swinging ensembles and increasingly distinctive solos. This hard-to-find LP is worth a search. -- Scott Yanow, All Music Guide

 


SESSION 11-DEC13/56-FEB22/57-ART BLAKEY & THE JAZZ MESSENGERS
Ray Bryant(p)Oscar Pettiford(b)Art Blakey,Jo Jones(d)Specs Wright(tymp)Candido(cga)Sabu(bgo)
D'Delemma -Dec13/56
Just For Marty -Dec 13/56
Nica Tempo
Oscalyspo
The Sacrifice
Cubano Chant

THE DRUM SUITE-COLUMBIA 1002

SESSION 12-1957-ART BLAKEY/MAX ROACH
Bill Hardman (tp) Jackie Mclean(as)Sam Dockery(p)Spanky Debrest(b)Art Blakey (d)
Scotch Blues
Flight to Jordan
Gershwin Medley
Speculate
That Old Devil Moon

THE HARD BOP ACADEMY(AFFINITY 773)


SESSION 13 MAR 7/57
Herbie Mann(fl)Ray Bryant(p)Wendell Marshall(b)Art Blakey.Jo Jones,Art Taylor,Specs Wright(d)
Buhaina
Toffi
Split Skins
YaYa
Come Out Meet Me Tonight
Amuck
Elephant Walk
Abdullah"s Delight

ORGY IN RHYTHM VOL 1 &VOL 2-(BLUENOTE 1554-1553)
This CD reissues one of the first percussion-oriented jazz records, although it was preceded two weeks earlier by Art Blakey's obscure Columbia set Drum Suite. For the Blue Note date, which was originally released as two LPs and is now available as a single CD, Blakey enlisted quite a lineup -- the leader, Art Taylor, Jo Jones, and Specs Wright on drums (with the latter two doubling on tympani), five percussionists, flutist Herbie Mann, pianist Ray Bryant and bassist Wendell Marshall. Mann plays a variety of African wood flutes, except on the final number, a conventional blues featuring his regular flute. With percussionist Sabu leading the chanting and taking three vocals (Blakey himself sings a little on "Toffi"), the music is quite African-oriented and generally holds one's interest, preceding Max Roach's M'Boom by over 20 years. Mostly for specialized tastes, this is a set that drummers should consider essential. -- Scott Yanow, All Music Guide

SESSION 14- MAR 8/9 1957
Bill Hardman (tp) Jackie Mclean(as)Sam Dockery(p)Spanky Debrest(b)Art Blakey (d)
Casino
The Biddie Griddies
Potpourri
Ugh!
Mirage
Reflections Of Buhainia
Reflections Of Buhainia (alt tk)

MIRAGE-SAVOY-ZDS4409
The 1957 edition of The Jazz Messengers heard throughout this enjoyable LP features altoist Jackie McLean, trumpeter Bill Hardman, pianist Sam Dockery, bassist Spanky DeBrest and leader/drummer Art Blakey. Already at this early stage, the band was the epitome of hard bop and just beginning to become an influential force. Although none of these six selections (three by tuba player Ray Draper) would become standards, the music is consistently excellent and typically hard swinging. -- Scott Yanow, All Music Guide


SESSION 15-MAR 13/57-ART BLAKEY &THE JAZZ MESSENGERS
Johnny Griffin replaces Jackie Mclean
Almost Like Being In Love
There But For You Go I
They Call The Wind Maria
On The Street Where You Live
I Talk To The Trees
I Could Have Danced All Night

SELECTIONS FROM LERNER &LOWE(VIK-LX1103-REISSUE BLUEBIRD-666612)
One of the rarest of all Art Blakey records, this LP finds The Jazz Messengers (featuring new member Johnny Griffin on tenor and trumpeter Bill Hardman) performing jazz versions of six show tunes by Lerner And Loewe including three ("Almost Like Being in Love," "I Could Have Danced All Night" and "On the Street Where You Live") that would soon become standards. Despite some of the musicians' unfamiliarity with the songs, this date is quite successful and should be reissued on CD someday. -- Scott Yanow, All Music Guide
This is an interesting CD reissue of formerly rare material from the second version of Art Blakey's Jazz Messengers. The first six selections are the full contents of a long-out-of-print Vik LP which find the Messengers (with tenor-saxophonist Johnny Griffin, trumpeter Bill Hardman, pianist Sam Dockery, bassist Spanky DeBrest and the drummer/leader) playing six songs by Lerner and Loewe including "Almost Like Being in Love," "On the Street Where You Live" and "I Could Have Danced All Night." In addition, the same group is heard on two previously unreleased alternate takes with altoist Jackie McLean (who was actually Griffin's predecessor) making the band a sextet, and there are three numbers (including two "new" takes) from an expanded unit (called "The Jazz Messengers Plus Two") which features such players as a very young Lee Morgan (making his debut with Blakey a year before he joined the group), Hardman, trombonist Melba Liston, Griffin and pianist Wynton Kelly. But rarity aside, the performances should please straightahead jazz fans. -- Scott Yanow, All Music Guide

SESSION 16-SPRING/57-ART BLAKEY &THE JAZZ MESSENGERS
Johnny Griffin out/ Jackie Mclean back
Scotch Blues
Flight to Jordan
Transfiguration
Exhibit A
Gershwin Medley

CADET LP4049


SESSION 17-APR 8/57
Johnny Griffin added
Off The Wall
Off The Wall Take 5 on Bluebird 666612
A Night In Tunisia
Couldn't It Be You
Couldn't It Be You Take 3 on Bluebird 666612
Theory Of Art
Evans
The Jazz Messengers Plus Four: Bill Hardman ,Lee Morgan(tp)Melba Liston(tb)Sahib Shihab(as)
Johnny Griffin(as)Cecil Payne(bs)Wynton Kelly(p)Spanky Debrest(b)Art Blakey(d) Rec: Apr2/57
A Night At Tony's Take 4 above and on Bluebird 666612
A Night At Tony's Take 3 on Bluebird 666612
Social Call
Social Call Take 4 on Bluebird 666612

A NIGHT IN TUNISIA(VIK2654-REISSUE AS-THEORY OF ART-RCA-BLUEBIRD-6286-2RB
This CD contains two unique sessions in the history of Art Blakey's Jazz Messengers. Five numbers feature a sextet that includes both altoist Jackie McLean, who had recently left the band, and his replacement, tenor saxophonist Johnny Griffin along with trumpeter Bill Hardman; "A Night in Tunisia" best shows off this short-lived group. The remaining two numbers were unissued until this CD came out and feature Blakey heading a nonet that included future Messenger Lee Morgan, trombonist Melba Liston and Griffin. The music is consistently excellent and also succeeds as a historical curiosity that should greatly interest Blakey collectors. -- Scott Yanow, All Music Guide


SESSION 18-MAY 13/57-ART BLAKEY
Jackie Maclean out /Sabu added
Woody And You
Sakeena
Shorty
Dawn On The Desert
CU BOP-JUBILEE-1049/Roulette 131
This double LP combines together two totally unrelated sessions that happened to be recorded on the same day for Roulette. Art Blakey's Jazz Messengers (with tenor great Johnny Griffin, trumpeter Bill Hardman and guest Sabu Martinez on congas) stretches out on four numbers which include "Woodyn' You" and Charlie Shavers's "Dawn on the Harvest" while altoist John Handy (heard in his first session as a leader), who would join Charles Mingus the following year, mostly sounds pretty individual on his six selections with a quartet. Enjoyable if not essential music, hard bop from the late '50s. -- Scott Yanow, All Music


SESSION 19- MAY 14&15/57 ART BLAKEYS JAZZ MESSENGERS WITH T.MONK
Bill Hardman(tp)Johnny Griffin(ts)Thelonious Monk(p)Spanky Debrest(b)Art Blakey(d)
Blue Monk
I Mean You
Rythm-A-Ning
Purple Shades
Evidence
In Walked Bud
Art Blakey's Jazz Messengers with Thelonious Monk(ATLANTIC-LP127)
This was an ideal matchup, one that should have been repeated in future years. Art Blakey was always one of the perfect drummers for Thelonious Monk's music, matching the innovative pianist's percussive excitement while leaving him plenty of space. Blakey's tenorman Johnny Griffin also proved to have a perfect understanding of Monk's music, joining Monk's quartet the following year. With trumpeter Bill Hardman and bassist Spanky DeBrest completing the quintet, five of Monk's finest compositions plus Griffin's "Purple Shades" are explored on this LP. -- Scott Yanow, All Music Guide

SESSION 20-JULY 29/57ART BLAKEY& THE JAZZ MESSENGERS
Same as above Sam Dockery replaces Monk
Stick Ball Swing
Blue Monk
Justice
LIVE(CALLIOPE 2008)


SESSION 21-OCT9/11/57-ART BLAKEY & THE JAZZ MESSENGERS-
Same as above, Dockery plays only on Deo-X- Junior Mance Replaces Dockery on the rest
Deo-X
Right Down Front
Late Spring
For Minors Only
Sweet Sakeena
For Miles And Miles
Krafty


HARD DRIVE BETHLEHEM-6023
Art Blakey & the Jazz Messengers' 1956 album Hard Drive features the swinging, energetic hard bop that Blakey and the revolving lineup of Messengers made their reputations with. The 1999 reissue of this release marks its debut on CD, and comes from recently discovered stereo master tapes. Hard Drive features four original compositions, including "Krafty" and "For Minors Only," two Jimmy Heath pieces and an obscure work, "Late Spring." The enthusiasm and fire Blakey and his group display on the album make it a welcome addition to any jazz fan's collection. -- Heather Phares, All Music Guide

SESSION 22 DEC/57- ART BLAKEY BIG BAND
Donald Byrd,Idress Sulieman,Bill Hardman,Ray Copeland(tp)Melba Liston,Frank Rehak,Jimmy Cleveland(tb)Sahib Shihab,Bill Graham(as)John Coltrane,Al Cohn(ts)Bill Slapin(bs)Walte rBishop(p)
Wendell Marshall,Art Blakey(d)
Ain't Life Grand
El Toro Valiente
Midriff
The Kiss Of No Return
Late Date
The Outer World
Tippin
Pristine
ART BLAKEY BIG BAND(BETHLEHEM -6027)
Throughout his long career as a bandleader, drummer Art Blakey very rarely played with big bands. This Bethlehem date was a one-shot affair, an opportunity for his powerful drumming to be heard propelling a 15-piece orchestra through a set of mostly new material. With such soloists as John Coltrane (who is also featured on two quintet numbers), trombonist Jimmy Cleveland and trumpeters Donald Byrd and Ray Copeland, this was a potentially mighty band; its arrangers included Melba Liston and Al Cohn. This LP is worth searching for. -- Scott Yanow, All Music Guide


SESSION 23-OCT 30/58 ART BLAKEY & THE JAZZ MESSENGERS
Lee Morgan(tp)Benny Golson(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey(d)
Moanin
Moanin (alt tk)
Blues March
Along Came Betty
Are You Real
The Drum Thunder Suite
Come Rain Or Come Shine

MOANIN(BLUE NOTE 84003)
The third version of Art Blakey's Jazz Messengers debuted with this stunning LP which has since been reisssued (along with an alternate version of "Moanin'") on CD. Tenor saxophonist Benny Golson helped give the quintet its own personality with his compositions and arrangements (contributing "Blues March," "Along Came Betty," "Are You Real" and "The Drum Thunder Suite" to this set), 20-year old trumpeter Lee Morgan quickly emerged as a powerful soloist and the funky pianist Bobby Timmons's "Moanin'" became The Messengers' first real hit. This classic album, a major influence on hard bop, is highly recommended. -- Scott Yanow, All Music Guide

NOVEMBER 2/58-MARCH 29/59 ART BLAKEY AND THE JAZZ MESSENGERS
Lee Morgan(tp)Bobby Timmons(p)Jymie Merrit(b)Art Blakey,Philly Joe Jones, Roy Haynes(d)Ray Barretto (cg)Paul Chambers(b)Art Blakey(d)
Moosie  The Mooche
Blakeys Blues
Lee's Tune
Lets Take 16 Bars
Drums In The Rain
Lover
I've Got My Love To Keep Me Warm (duet with Paul Chambers & Art Blakey)
What Is This Thing Called Love


Drums Around The Corner  (Blue Note CD 21455)
This rare session, finally released in 1999, represents some of the most powerful drumming by Art Blakey, Roy Haynes, and Philly Joe Jones. Gathered together under Blakey's leadership, these three legendary drummers, conga master Ray Barretto, and Lee Morgan, Bobby Timmons, and Jymie Merritt from the Jazz Messengers all converge into a stunning ensemble unlike any that had come before. Each piece not only offers swinging grooves and dynamic interaction between the musicians, but Blakey, Haynes, Jones, and Barretto each take turns propelling the group and soloing in his own signature way.

Blakey's legendary strength, Haynes' snap-crackle-pop, and Jones' melodic invention are all evident as they each produce mesmerizing improvisations, complimenting and topping each other as they go. Whether on Bird's "Moose The Mooche," the free-flowing "Drums In The Rain," or the standard "Lover," the focus here is on the primal energy of the drum and its legitimacy as an essential source of music. Also included are "I've Got My Love To Keep Me Warm" and "What Is This Thing Called Love," both of which are electrifying duets between Blakey and bassist Paul Chambers. For drumming fans, there is little left to ask for from this priceless collection.

                          


SESSION 24 NOV 19/58
Lee Morgan(tp)Benny Golson(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey(d)
Moanin
Along Came Betty
I Remember Clifford
Whisper Not
A Night In Tunisia
LIVE IN HOLLAND 1958-BANDSTAND-1532

SESSION 25-NOV 9/58-ART BLAKEY & THE JAZZ MESSENGERS
Donald Byrd(tp)Ray Bryant(p)Wendell Marshall(b)Art Blakey,Art Taylor,Philly Joe Jones(d)
+latin American Perc.
Lamento Africano
Aghano
Mirage
The Feast
O'Tindle
Swinging Kilts
Dinga
Reflection
HOLIDAY FOR SKINS VOL1&VOL2- BLUE NOTE-4004-4005

SESSION 26-NOV22/Dec 17/58-ART BLAKEY JAZZ MESSENGERS
Lee Morgan(tp)Benny Golson(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey(d)
Just By Myself
I Remember Clifford
Blues Pour Doudou
Moanin
Justice
Blues March
Whisper Not

ART BLAKEYS JAZZ MESSENGERS-1958-PARIS OLYMPIA(FONTANA-8326592)
The 1958 version of The Jazz Messengers was widely recorded during their stay in Paris, but this CD does not duplicate any of the other recordings previously released. This band (with trumpeter Lee Morgan, Benny Golson on tenor and pianist Bobby Timmons) was particularly strong, and it is quite enjoyable to hear them stretch out on such songs as "I Remember Clifford," "Moanin'," "Blues March" and "Whisper Not." Hard bop at its best, all of it propelled by the powerful drumming of Art Blakey. -- Scott Yanow, All Music Guide


SESSION 27-DEC18/19/58 ART BLAKEY & THE JAZZ MESSENGERS
Lee Morgan(tp)Benny Golson(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey(d)
Generique
Pierre Et Beatrice
Nasol
Tom
Poursuite Dans La Ruelle
Ne Chuchote Pas
Mambo De La Voiture
Juste Pour eux Seuls
Blues Pour Doudou
Blues Pour Marcel
Blues Pour VaVa
Merlin
Pasquier
Quaglio
La Divorcee De Leo Fall
Suspense
Tom Et Nasol
Des Femmes Disparaissent
Finale Pour Pierre et Beatrice

DES FEMMES DISPARAISSENT-MOVIE SOUNDTRACK-FONTANA
The bulk of this CD has the soundtrack of a 1958 French film titled Des Femmes Disparaissent. Art Blakey's Jazz Messengers (which at the time consisted of the drummer-leader, trumpeter Lee Morgan, tenor-saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merritt) perform 18 mostly brief sketches that were co-written by Golson and Blakey. Although the music is generally inconclusive and fragmented, fans of the Jazz Messengers will find these performances of some interest. The last five selections are from a different French film of the period, Les Tricherus. One number has Lionel Hampton (on drums) jamming in a quartet with clarinetist Mezz Mezzrow. The other songs have pianist Oscar Peterson, guitarist Herb Ellis, bassist Ray Brown and drummer Gus Johnson joined on one tune apiece by tenor-saxophonist Coleman Hawkins, trumpeters Roy Eldridge and Dizzy Gillespie and tenorman Stan Getz; Eldridge is also part of the Getz track. Of these, Dizzy on "Mic's Jump" fares best. But overall the historical curiosities on this CD are not all that essential. -- Scott Yanow, All Music Guide




SESSION 28-DEC 21/58-ART BLAKEY & THE JAZZ MESSENGERS
Lee Morgan(tp)Benny Golson(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey(d)
Politely
Whisper Not
Nows The Time
The First theme
Moanin With hazel
We Named It Justice
Blues March Pour Europe1
Like Someone In Love
Along Came Manon
Out Of The Past
A Nigh In Tunisia
Ending With The Theme

LIVE AT THE CLUB ST GERMAIN-RCA-430043
This three-LP box set from French RCA (part of which was reissued on the CD Paris 1958) features the 1958 Jazz Messengers live in Paris stretching out on 11 songs. Trumpeter Lee Morgan, tenor saxophonist Benny Golson and pianist Bobby Timmons formed a potent team, backed up by bassist Jymie Merritt and the powerful drumming of leader Art Blakey. This hard-to-find set gives one a definitive look at the influential band. -- Scott Yanow, All Music Guide

Originally part of an 11-song three-LP set, this six-song CD (not counting the 28-second "Theme") features the Lee Morgan-Benny Golson-Bobby Timmons version of The Jazz Messengers stretching out on their "hits" (including "Blues March," "Moanin'" and "Whisper Not"), giving one alternate versions of their studio recordings. This was one of the finest bands of the period, and this CD serves as a perfect introduction to the exciting music of The Jazz Messengers. -- Scott Yanow, All Music Guide


SESSION 29-APR 15/59-ART BLAKEY & THE JAZZ MESSENGERS
Lee Morgan (tp)Hank Mobley(ts)Bobby Timmons(p)Jymie Merritt)Art Blakey(d)
Hip Sippy Blues
Justice
Close Your Eyes
Just Coolin
The Theme
Hi Fly
Chick ' n ' Dumplins
M and M
Art's Revelation
The Theme

AT THE JAZZ CORNER OF THE WORLD VOL1&VOL2 BLUE NOTE-4015-4016
This two-CD set is a logical reissue, combining both volumes (formerly Lp's) of a live performance by Art Blakey and his 1959 Jazz Messengers. Recorded shortly after tenor-saxophonist Benny Golson had left the group, this particular version of Blakey's classic band featured trumpeter Lee Morgan, Hank Mobley on tenor (his only recordings with the band), pianist Bobby Timmons, bassist Jymie Merritt and the drummer-leader. Surprisingly Morgan, Timmons and the departed Golson did not contribute any compositions to the set although there are three Hank Mobley songs. In addition, the band performs songs by Thelonious Monk ("Justice"), Ray Bryant, Randy Weston ("Hi-Fly") and Gildo Mahones plus the standard "Close Your Eyes" and two versions of "The Theme." The music falls short of being essential but hard bop collectors will find much to savor on the twofer. -- Scott Yanow, All Music Guide


SESSION 30-JULY28/29/59 ART BLAKEY& THE JAZZ MESSENGERS
Lee Morgan(tp)Barney Wilen(ts as)Bobby Timmons(p)Jymie Merritt(b)Art blakey(d)John Rodriguez(bgo)
Tommy Lopez,Willie Rodriguez(cga)
No Problem
Prelude In Blue
Miguel's Party
Valmontana
Prelude in Blue No. 2- Duke Jordan On Piano
No Problem no 2
Weekawken Mad Pad
Valmontana no2
No Hay Problems

LES LIAISONS DANGEREUSES FONTANA-680203
An interesting set of music originally recorded as the soundtrack for the French film Les Liaisons Dangereuses, the majority of these tracks feature Art Blakey's Jazz Messengers of mid-1959 with trumpeter Lee Morgan, tenorman Barney Wilen, pianist Boby Timmons and bassist Jymie Merritt joining the explosive drummer/leader. In general, the music manages to stand on its own with the ensemble getting to stretch out a bit on the rare material. -- Scott Yanow, All Music Guide


LIVE IN COPENHAGEN-1959 ROYAL JAZZ-RJD516 RECORDED NOV5/59
Lee Morgan(tp)Wayne Shorter(ts)Walter Davis(p)Jymie Merritt(b)Art Blakey(d)
Blues March
The Midget
Nellie Blye
A Night In Tunsia 
Live In Copenhagen ROYAL JAZZ-RJD516



AFRICAINE-BLUE NOTE-LT1088 RECORDED NOV 10/59
Lee Morgan(tp)Wayne Shorter(ts)Walter Davis(p)Jymie Merritt(b)Art Blakey (d)
Africaine
Lester Left Town
Splendid
Haina
The Midget
Celine

AFRICAINE-BLUE NOTE-LT1088
Not released until over 20 years after it was recorded, this set (reissued on CD in 1998 ) features tenor-saxophonist Wayne Shorter in his first recording with The Jazz Messengers. The quintet at the time also featured the great trumpeter Lee Morgan, pianist Walter Davis, Jr., bassist Jymie Merritt and the drummer/leader Art Blakey. The highpoint is easily Shorter's memorable composition "Lester Left Town" (written after Lester Young's passing). Overall, this forgotten session contains plenty of excellent hard bop. -- Scott Yanow, All Music Guide

PARIS CONCERT-RCA F430054 RECORDED NOV 15/59-PARIS
Lee Morgan(tp)Wayne Shorter(ts)Walter Davis(p)Jymie Merritt(b)Art Blakey (d)
Close Your Eyes
Goldie
Ray's Idea
Lester Left Town
Blues March
Are You Real
A Night In Tunisia
PARIS CONCERT-RCA F430054


LIVE IN STOCKHOLM-1959-DRAGON182 RECORDED NOV23/59
Lee Morgan(tp)Wayne Shorter(ts)Walter Davis(p)Jymie Merritt(b)Art Blakey (d)
Close Your Eyes
Like Some One In Love
The Midgit
Night In Tunisia

LIVE IN STOCKHOLM-1959-DRAGON182 
The version of Art Blakey's Jazz Messengers heard on this CD differs from most from the period because pianist Bobby Timmons had just departed to join Cannonball Adderley so Walter Davis, Jr. is in the piano chair. Otherwise the lineup (with trumpeter Lee Morgan, tenor-saxophonist Wayne Shorter, bassist Jymie Merritt and drummer Blakey) is familiar. Performing three standards (including "Night in Tunisia") and two group originals (best-known is one of the earliest versions of Shorter's "Lester Left Town"), the Jazz Messengers are up to their usual high standards; both Morgan and Shorter are in particularly strong form while Davis fits in quite well. -- Scott Yanow, All Music Guide


LIVE IN BERLIN 1959-NEW SOUND PLANET JAZZ-JU321
Lee Morgan(tp)Wayne Shorter(ts)Walter Davis(p)Jymie Merritt(b)Art Blakey(d)
Blues March
Moanin
A Night In Tunisia
Along Came Betty
Lester Left Town


PARIS JAM SESSION-LIVE AT THE CHAMP-ELYSEES-FONTANA 832692 RECORDED DEC18/59
Lee Morgan(tp)Wayne Shorter(ts)Walter Davis(p)Jymie Merritt(b)Art blakey (d)
The Midget
Night In Tunisia
Dance Of The Infidels-Bud Powell(p) replaces David, Barney Wilen(as) added
Boucing With Bud ----------------------"------------------------------"-----------------------
PARIS JAM SESSION-LIVE AT THE CHAMP-ELYSEES-FONTANA 832692
This very interesting CD features Art Blakey's Jazz Messengers (with trumpeter Lee Morgan and their new tenor saxophonist Wayne Shorter) on fine versions of Morgan's "The Midget" and "A Night in Tunisia" but is highlighted by the guest appearances of altoist Barney Wilen and particularly pianist Bud Powell on two Powell classics ("Dance of the Infidels" and "Bouncing with Bud"). Exciting music, most highly recommended to veteran Art Blakey collectors. -- Scott Yanow, All Music Guide


ARE YOU REAL/ART BLAKEY AND THE JAZZ MESSENGERS-MOONMCD071-2 REC PARIS 59
Lee Morgan(tp)Wayne Shorter(ts)Walter Davis(p)Jymie Merritt(b)Art blakey (d)
Blues March
Are You Real
A Night In Tunisia


THE BIG BEAT-BLUE NOTE 4029 RECORDED MARCH 6/60
Lee Morgan(tp)Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey(d)

The Chess Players
Lester Left Town
Its Only A Paper Moon
It's Only A Paper Moon (alt tk)
Dat Dere
Sakeena's Vision
Politely

THE BIG BEAT-BLUE NOTE 4029 
In 1960, Art Blakey led one of the greatest versions of his Jazz Messengers. The particular edition heard on this CD features three distinctive soloists (trumpeter Lee Morgan, tenor saxophonist Wayne Shorter and pianist Bobby Timmons). Highlights of The Big Beat include Timmons's "Dat Dere" and Shorter's "Lester Left Town" in addition to a colorful arrangement of "It's Only a Paper Moon," heard in two versions. A gem. -- Scott Yanow, All Music Guide

Nobody supplied a bigger beat in jazz than Art Blakey. This Blue Note date from 1960, appropriately titled THE BIG BEAT, documents one of the best line-ups that Blakey and his Jazz Messengers ever had. With Lee Morgan and Wayne Shorter on the front line and Bobby Timmons and Jymie Merritt in the rhythm section with Blakey, this group defined hard bop with soulful swing, commanding solos and tight ensemble arrangements. Only Miles Davis and John Coltrane could also claim to lead groups of equally powerful stature.

Wayne Shorter held the spot of musical director during his tenure with the Messengers and he contributes three gems to this session. His shuffling "The Chess Players" opens the album with a slow grooving stroll. The pace is quickened with his bouncing "Sakeena's Vision," featuring a driving solo section and plenty of prodding from Blakey. Also included is Shorter's superb swinger "Lester Left Town" which would become a Messengers performance favorite. Timmons' contribution is his legendary blues "Dat Dere," a gospel-flavored groover that gets a signature performance here. Finally, the standard "It's Only A Paper Moon" is given a daunting new arrangement and an extra bonus take to close out the disc.


ALTO721 RECORDED APR 16/23/60
Lee Morgan(tp)Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt (b) Art Blakey,Buddy Rich(d)
Justice
Night In Tunisia



ALTO720 RECORDED APR 16/23/60
Lee Morgan(tp)Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt (b) Art Blakey (d)
Dis Yeah
Dat Dere
April Jamming
Along Came Betty


HORRAY FOR BLAKEY SESSION116 RECORDED MAY28/JUNE4/60
Lee Morgan(tp)Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt (b) Art Blakey (d)
The Chess Players
Dis yeah
The Midgets


LIKE SOMEONE IN LOVE-BLUE NOTE 84245-RECORDED AUG7/60
Lee Morgan(tp)Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt (b) Art Blakey (d)
Like Someone In Love
Johnny's Blues
Giantis
Noise in The Attic
Sleeping Dancer Sleep On
Sleeping Dancer Sleep On( alt tk)

LIKE SOMEONE IN LOVE-BLUE NOTE 84245-
Taken from the same sessions that resulted in A Night in Tunisia, this fine CD features the 1960 version of The Jazz Messengers starring trumpeter Lee Morgan, tenor saxophonist Wayne Shorter and pianist Bobby Timmons. The title cut is the most impressive performance, but this excellent program of high-quality hard bop also allows listeners to hear three obscure Wayne Shorter compositions and Lee Morgan's forgotten "Johnny's Blue." -- Scott Yanow, All Music Guide


A NIGHT IN TUNISIA-BLUE NOTE 4049
Lee Morgan(tp)Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt (b) Art Blakey (d)
Yama
A Night In Tunisia
Sincerly Diana
Sincerly Diana (alt tk)
So Tired
Kozo's Waltz
When Your Lover Has Gone(Previous Unissued)

A NIGHT IN TUNISIA-BLUE NOTE 4049
The lengthy title track on this CD easily overshadows the rest of the program for it is one of the most exciting versions ever recorded of Dizzy Gillespie's "A Night in Tunisia." Trumpeter Lee Morgan (then only in his early 20s), tenor saxophonist Wayne Shorter, pianist Bobby Timmons and bassist Jymie Merritt formed one of the strongest of the many versions of Art Blakey's Jazz Messengers and are actually in fine form during the remainder of the satisfying (if anticlimatic) set. The CD augments the LP by adding a version of "When Your Lover Has Gone" and an alternate take of "Sincerely Diana" to the original program. -- Scott Yanow, All Music Guide


MORE BIRDLAND SESSIONS-FRESH SOUNDS-1029-
Lee Morgan(tp)Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt (b) Art Blakey (d)
Lester Left Town-June4/60
KoKo Waltz-Sept 11/60
Sakeena's Vision-Sept11/60
Noise In The Attic-Oct28/60
So Tired-Oct28/60
It's Only A Paper Moon-Nov5/60
This Here-Nov5/60


MEET YOU AT THE JAZZ CORNER OF THE WORLD VOL 1 & VOL2 BLUENOTE 4054-4055 REC:SEPT14/60
Personnel Same As Above With Pee Wee Marquette Announcer
What Know?
The Opener
Round About Midnight
The Breeze And I
The Theme
High Modes
Night Watch
The Things I Love
The Summit
The Theme

MEET YOU AT THE JAZZ CORNER OF THE WORLD VOL 1 & VOL2 BLUENOTE 4054-4055 
Art Blakey's 1960 Jazz Messengers recorded so many excellent records that the "good" rating given this LP is relative. With trumpeter Lee Morgan, tenor saxophonist Wayne Shorter and pianist Bobby Timmons all receiving plenty of solo space, the band is in fine form on Hank Mobley's "The Opener," Lee Morgan's "What Know" and two standards. Little unexpected occurs, but fans of hard-swinging jazz will want to pick up both volumes in this series. -- Scott Yanow, All Music Guide


LIVE AT THEATRE DE BEAULIEU LAUSANE-1960 PART 0NE-TCB02022 REC DEC 8,60
Lee Morgan (tp)Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey(d)
Nows the Time
Lester Left Town
Noise In The Attic
Dat Dere
Kozo's Waltz
Nearly every recording by Art Blakey's Jazz Messengers, particularly during the 1958-61 period, is well worth acquiring by fans of hard bop. This 1995 CD from the Swiss label TCB features a particularly strong edition of Blakey's group, with trumpeter Lee Morgan, tenor-saxophonist Wayne Shorter, pianist Bobby Timmons, bassist Jymie Merritt and the drummer/leader. Together they perform "Now's the Time," two of Shorter's tunes ("Lester Left Town" and "Noise in the Attic"), Morgan's "Kozo's Waltz" and Timmons's recent hit "Dat Dere." Recommended. -- Scott Yanow, All Music Guide


LIVE AT THEATRE DE BEAULIEU LAUSANNE-1960 PART TWO-TCB REC DEC/60
same as above
Announcement
Its Only a Paper Moon
Round about Midnight
The Summit
A Night In Tunsia
This Here
LIVE AT THEATRE DE BEAULIEU LAUSANNE-1960 PART One & TWO
The 1960 version of Art Blakey's Jazz Messengers (which consisted of the drummer/leader, trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons, and bassist Jymie Meritt) was very well documented. This 1996 CD releases for the first time music from the second half of a Geneva concert by the band. One can argue that these performances of "It's Only a Paper Moon," "'Round Midnight," Wayne Shorter's "The Summit," "A Night In Tunisia" and Timmons' "This Here" do not add that much to the Messengers' vast legacy, but the music is really too good for hard bop fans (even those with many other versions) to pass up. -- Scott Yanow, All Music Guide



LIVE IN STOCKHOLM-1960-DRAGON 137RECORDED DEC 12/60
Lee Morgan (tp)Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey(d)
Blues March
Lester Left Town
The Theme
The Summit
Along Came Betty
A Night In Tunisia
The Theme

LIVE IN STOCKHOLM-1960-DRAGON 137
Recorded from a radio broadcast in Sweden, this LP finds The Jazz Messengers near their peak. This edition of the band (with trumpeter Lee Morgan, Wayne Shorter on tenor and pianist Bobby Timmons) was the most celebrated and most frequently recorded of all the versions of The Jazz Messengers. This album (which includes strong versions of "Blues March," "Lester Left Town," "Along Came Betty," "A Night in Tunisia" and Wayne Shorter's lesser-known "The Summit") is easily recommended as a strong example of their legacy. -- Scott Yanow, All Music Guide


A DAY WITH ART BLAKEY -1961 VOL1 & VOL 2 EASTWIND 707- 708-RECORDED JAN 2/61
Lee Morgan (tp)Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey(d)
The Summit
The BreezeAnd I
Blues March
Moanin
Its Only a Paper Moon
Nelly Bly
Dat Dere
Round About Midnight
A Night In Tunisia


TOKYO 1961/ART BLAKEY AND THE JAZZ MESSENGERS-REC JAN 11/61-SOMETHING ELSECJ32-5503
Lee Morgan (tp)Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey(d)Nobuo Hara Sharps &Flats
Moanin
A Night In Tunisia
The Summit
Dat Dere
Yama
Blues March


PISCES-BLUE NOTE -JAPAN-KING GXF-3060-RECORDED-FEB12/61
Lee Morgan (tp)Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey(d)
United
Ping Pong
Blue Ching
Pisces
Up Tight
Its A Long Way Down


ROOTS AND HERBS- BLUE NOTE-4347-RECORDED FEB 18/61
Lee Morgan, Freddie Hubbard(tp)GaryBartz(as)Lucky Thomson(ts)John Hicks (p)Victor Sproles(b)
Art Blakey(d)
Ping Pong
Roots And Herbs
The Back Sliders
United
Look At The Birdie
Master Mind


THE WITCH DOCTOR-BLUE NOTE-84258-RECORDED MARCH 14/61
Lee Morgan(tp) Wayne Shorter(ts)Bobby timmons(p)Jymie Merritt(b)Art Blakey (d)
The Witch Doctor
The Witch Doctor(alt tk)
Afrique
Those Who Sit And Wait
A little Busy
Lost And Found
Joelle
THE WITCH DOCTOR-BLUE NOTE-84258
The 1960-61 Jazz Messengers featured three distinctive soloists (trumpeter Lee Morgan, Wayne Shorter on tenor and pianist Bobby Timmons), perfectly suitable accompaniment by bassist Jymie Merritt and typically powerful drumming from its leader, Art Blakey. Witch Doctor has two compositions apiece from Morgan and Shorter in addition to Timmons's "A Little Busy" and Clifford Jordan's "Lost and Found." None of these songs became standards, but the fine solos and strong group sound make this LP worth picking up. -- Scott Yanow, All Music Guide


EN CONCERT AVEC EUROPE 1-2CD-1502 RECORDED MAY 13/61
Lee Morgan(tp) Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey (d)
Cd-1
The Summit
Yama
Close Your Eyes
Dat Dere
Round Abou Midnight
So Tired
My Funny Valentine
Cd-2
Its Only a Paper Moon
Noise in The Attic
Moanin
I didn't Know What Time It Was
Blues March
Night In Tunisia

New Release: More From the same concert on Trema/Sony (710571). 
Lost & Found
Round Midnight
Kozo's Waltz 
Unidentified 
Night In Tunisia 
The Theme 


THE FREEDOM RIDER BLUE NOTE 4156-RECORDED- MAY 27/61
Lee Morgan(tp) Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey (d)
Tell It Like it Is
El Torro
Pretty Larceny
Blue Lace
Freedom Rider

THE FREEDOM RIDER BLUE NOTE 4156
The final recording by this edition of The Jazz Messengers (featuring trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons, bassist Jymie Merritt and drummer/leader Art Blakey) finds the group consolidating their year-and-a-half of experience into yet another exciting document. Blakey's unaccompanied drum feature on "The Freedom Rider" is full of drama while the rest of the program (two compositions apiece by Morgan and Shorter) makes this last chapter for this particular band quite memorable. -- Scott Yanow, All Music Guide



ART BLAKEY &THE JAZZ MESSENGERS-IMPULSE 7-RECORDED JUNE13/14,1961
Lee Morgan(tp) Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey (d)
I Hear a Rapsody
Circus
A La Mode
Gee Baby Ain't I Good For You
Invitation
You Dont Know What Love Is

ART BLAKEY &THE JAZZ MESSENGERS-IMPULSE 7
An absolutely wonderful 1961 set from Blakey and company, who demonstrate here how to be note-perfect without leeching away the emotion of a performance. Aside from Blakey's divine drum work, the standouts include Jaymie Merritt's trippy bass fingerwork, and Wayne Shorter blowing his heart out on tenor sax. Beautifully remastered, well worth having in this edition. -- Steven McDonald, All Music Guide



A JAZZ HOUR WITH ART BLAKEY'S JAZZ MESSENGERS-BLUES MARCH-SPAJHR73539-1961
Lee Morgan(tp) Wayne Shorter(ts)Bobby Timmons(p)Jymie Merritt(b)Art Blakey (d)
The Summit
Along Came Betty
Lester Left Town
Blues March
Nellie Bly
It's Only A Paper Moon


MOSAIC- BLUE NOTE-4090 RECORDED OCT 1961
Freddie Hubbard(tp)Curtis Fuller(tb)Wayne Shorter(ts)Cedar Walton(p)Jymie Merritt(b)Art Blakey(d)
Mosaic
Down Under
Children Of The Night
Arabia
Crisis

MOSAIC- BLUE NOTE-4090
The first studio recording by Art Blakey's all-star Messengers of 1961-64 features five group originals (including "Mosaic," "Arabia" and "Crisis") and exciting solos from the great frontline (trumpeter Freddie Hubbard, trombonist Curtis Fuller and tenor saxophonist Wayne Shorter). All of the recordings by this classic hard bop group are well worth acquiring. -- Scott Yanow, All Music Guide


BUHAINA'S DELIGHT-BLUENOTE 4104-RECORDED NOV 28/DEC18/61
Freddie Hubbard(tp)Curtis Fuller(tb)Wayne Shorter(ts)Cedar Walton(p)Jymie Merritt(b)Art Blakey(d)
Backstage Sally
Backstage Sally(alt tk)
Contemplation
Bu's Delight
Bu's Delight(alt tk)
Reincarnation Blues
Reincarnation Blues(alt tk)
Shakey Jake
Moon River
Moon River(alt tk)

BUHAINA'S DELIGHT-BLUENOTE 4104
There have been several classic editions of Art Blakey's Jazz Messengers including the sextet heard on this CD which adds four alternate takes to the original LPs program. With trumpeter Freddie Hubbard, tenor saxophonist Wayne Shorter, trombonist Curtis Fuller and pianist Cedar Walton (all of whom would be major names in jazz for the next 30 years) taking consistently excellent solos, it is not surprising that this CD (which is highlighted by "Moon River," "Bu's Delight" and "Backstage Sally"), as with all of the other recordings by this group, is easily recommended to lovers of hard bop. -- Scott Yanow, All Music Guide

THE AFRICAN BEAT-BLUENOTE 4097-RECORDED-JAN 24/62
Art Blakey And The Afro Drum Ensemble
Curtis Fuller,Yusef Lateef,AhmedAbdulMalik,Solomon G IloriArt Blakey,Chief Bey
Montego Joe,Garvin Masseaux, James Ola Folami,Robert Crowder
Ife Lyo
Obirin African
Love, The mystery of
Ero Ti N'R Ojeje Ayiko Ayiko
Ayiko.Aykio
Tobi Ilu



THREE BLIND MICE-BLUE NOTE-VOL1& VOL2-784451-784452-RECORDED MARCH 9/18,1962
Freddie Hubbard(tp)Curtis Fuller(tb)Wayne Shorter(ts)Cedar Walton(p)Jymie Merritt(b)Art Blakey(d)
Three Blind Mice
Blue Moon
That Old Feeling
Plexis
Up Jump Spring
Up Jump Spring( alt tk)
When Lights are Low
Children Of The Night
Its Only A Paper Moon
Mosaic
Ping Pong
The Promised Land
Arabia

THREE BLIND MICE-BLUE NOTE-VOL1& VOL2-784451-784452
This live set from 1962 features Art Blakey and the Jazz Messengers in one of their strongest line-ups. Freddie Hubbard, Wayne Shorter and Curtis Fuller form a stunning front line that is expertly propelled by the rhythm section of Blakey, Cedar Walton and Jymie Merritt. Free from the constraints of the studio, the tight ensemble arrangements for which the group is famous are expanded upon here and performed with even greater energy. As expected, Blakey's driving leadership and assertive drumming incites memorable performances from his men and an enthusiastic response from his audience.

Curtis Fuller's lilting arrangement of the childhood favorite "Three Blind Mice" opens the set with jazzed-up harmonies and explosive comments from Blakey. The standard ballad "Blue Moon" also gets an updated arrangement, this time from Shorter, and a mournful performance by Hubbard in the lead. The original compositions, however, get the most energized readings here as Walton's blistering "Plexis" and Hubbard's "Up Jumped Spring" are the highlights of the set. Also included in this volume are a second take of the latter and a previously unreleased performance of Shorter's "Children Of The Night," one of his most vigorous compositions.

BIRDLAND BROADCAST-SESSION DISC 117RECORDED JULY 21/62
Freddie Hubbard(tp)Curtis Fuller(tb)Wayne Shorter(ts)Cedar Walton(p)Jymie Merritt(b)Art Blakey(d)
Blakeys Dream
Moon River
Blue Moon
Three Blind Mice
Mosaic


CARAVAN-RIVERSIDE-438-RECORDED OCT 23/24,1962
Personnel Same As Above Except Reggie Workman Replaces Jymie Merritt On Base
Caravan
Sweet N Sour(alt tk)
Sweet And Sour
In The Wee Small Hours Of the Morning
This Is For Albert
Skylark
Thermo (alt tk)
Thermo

CARAVAN-RIVERSIDE-438
Art Blakey led many strong versions of his Jazz Messengers over a 30 year period. This particular unit featured five young greats: trumpeter Freddie Hubbard, tenor-saxophonist Wayne Shorter, trombonist Curtis Fuller, pianist Cedar Walton and bassist Reggie Workman. On the CD reissue (which adds a pair of alternate takes to the original Lp program), the group is heard in prime form with the highlights including "Caravan," "Thermo" (two versions are included) and "Skylark." -- Scott Yanow, All Music Guide


UGETSU-RIVERSIDE 464-RECORDED JUNE 16/63
Personnel Same As Above
One By One
Ugetsu
Time Off
Ping Pong
I Didn't Know What Time It Was
On the Ginza
The Theme

UGETSU-RIVERSIDE 464
Art Blakey's 1963 Jazz Messengers (which included trumpeter Freddie Hubbard, tenor-saxophonist Wayne Shorter, trombonist Curtis Fuller, pianist Cedar Walton and bassist Reggie Workman in addition to the drummer-leader) was one of his finest. The CD reissue (which adds two songs to the seven on the original Lp) has plenty of strong moments, particularly on "Ping-Pong," Shorter's feature ("I Didn't Know What Time It Was") and the memorable "One By One." This high-quality hard bop session is recommended. -- Scott Yanow, All Music Guide


A JAZZ MESSAGE-IMPULSE 45-RECORDED JULY 10/63
Sonny Stitt(as)McCoy Tyner(p)Art Davis(b)Art Blakey(d)
Just Knock At My Door
Sunday
Cafe
Blues Back
The Song Is You
Summertime

A JAZZ MESSAGE-IMPULSE 45
Drummer Art Blakey took time off from his busy schedule as leader of The Jazz Messengers to participate in this quartet session with saxophonist Sonny Stitt, pianist McCoy Tyner and bassist Art Davis. Although this session was under Blakey's leadership, Stitt (on both tenor and alto) emerges as the main soloist, playing his trademark bebop lines with creativity and typical enthusiasm. [A 20-bit remaster of Jazz Message was released in the fall of 1999.] -- Scott Yanow, All Music Guide


THEME FROM THE GOLDEN BOY-COLPIX 9003 RECORDED 1963
Lee Morgan,Freddie Hubbard(tp)Curtis Fuller(tb)Julius Watkins(fhr)Bill Barber(tu)
James Spaulding(as)Wayne Shorter(ts)Charles Davis(bar)Reggie Workman(b)Art Blakey(d)
Theme FRom Golden Boy
Yes I Can
Lorna's Here
This Is the Life
There's A Party
I Want To Be With You


FREE FOR ALL BLUENOTE-4170-RECORDED FEB 10/64
Freddie Hubbard(tp)Wayne Shorter (ts)Cedar Walton (p)Reggie Workman(b)Art Blakey(d)
Free For All
Hammerhead
The Core
Pensative

FREE FOR ALL BLUENOTE-4170
During most of 1961-64 Art Blakey's Jazz Messengers (except for bassist Reggie Workman replacing Spanky DeBrest) managed to keep the same personnel, a remarkable feat when one considers the strong talent (which included trumpeter Freddie Hubbard, trombonist Curtis Fuller, Wayne Shorter on tenor and pianist Cedar Walton). Free for All was this particular group's last recording before Freddie Hubbard went out on his own, and it includes lengthy versions of two Shorter tunes, Hubbard's "The Core" and the standard "Pensativa." Fine music. -- Scott Yanow, All Music Guide


KYOTO-RIVERSIDE-493-FEB 20/64
Freddie Hubbard(tp)Wayne Shorter (ts)Cedar Walton (p)Reggie Workman(b)Art Blakey(d)
The High Priest
NeverNever Land
Wellington Blues
Nihon Bashi
Kyoto

KYOTO-RIVERSIDE-493-
Reissued on Fantasy's OJC series, this LP (also available as a CD) finds Art Blakey's Jazz Messengers paying tribute to Japan (where they had toured to great acclaim) on two selections, featuring Art Blakey's cousin as a vocalist on "Wellington's Blues" (a real rarity in The Jazz Messengers' discography) and debuting Curtis Fuller's "The High Priest." With trumpeter Freddie Hubbard, tenorman Wayne Shorter and trombonist Fuller in fine form, this is one of literally dozens of recommended Jazz Messengers recordings. -- Scott Yanow, All Music Guide


INDESTRUCTABLE-BLUE NOTE 4193-RECORDED APRIL 24-MAY 15/64
Lee Morgan(tp)Replaces Hubbard
When Love is New
The Egyptian
Sortie
Calling Miss Khadija
Mr. Jin

INDESTRUCTABLE-BLUE NOTE 4193-
In 1964, trumpeter Lee Morgan rejoined The Jazz Messengers, replacing his original replacement, Freddie Hubbard. The hard-swinging style of this influential unit remained unchanged with drummer/leader Art Blakey still insisting on distinctive solos and constant new material. Typically, the music on this fine LP consists of five then-recent compositions by bandmembers, one apiece from Morgan, pianist Cedar Walton ("When Love Is New") and tenor saxophonist Wayne Shorter and two from trombonist Curtis Fuller. Enjoyable music. -- Scott Yanow, All Music Guide


ART BLAKEY & HIS JAZZ MESSENGERS-LIMELIGHT 82001-RECORDED NOV 15-16-25,1964
Lee Morgan(tp)Curtis Fuller(tb)John GIlmore(ts)John Hicks(p)Victor Sproles(b)Art Blakey(d)
Waltz For Ruth
S Make It
Lament For Stacy
Faith
Little Hugie
Olympia
One For Gamal


ARE YOU REAL-ART BLAKEY-MOONMCD071-2-LONDON 1965 -ALSO ON VIDEO-VAP(JAPAN) VPVR60772
Lee Morgan(tp)John GIlmore(ts)John Hicks(p)Victor Sproles(b)Art Blakey(d)
On the Ginza
Lament For Stacy
The Egyptians
I Can't Get Started
Buhaina Chant


SOUL FINGER-LIMELIGHT-82018-RECORDED APRIL 21-MAY 12/13,1965
Lee Morgan,Freddie Hubbard(tp)Gary Bartz(as) John Hicks(p)Victor Sproles(b)Art Blakey(d)
Spot Session ( Add Lucky Thompsom(sop)
Slowly But Surely
Buh's Boss
Soul Finger
Freedom Monday
The Hub
A Quiet Thing

SOUL FINGER-LIMELIGHT-82018
After six years of very consistent personnel (with only a few gradual changes), Art Blakey's Jazz Messengers in 1965 were in a state of transition. This particular LP found both Lee Morgan and Freddie Hubbard making farewell appearances on trumpet, pianist John Hicks and bassist Victor Sproles joining up as short-term members and veteran Lucky Thompson being well featured on both tenor and soprano sax. The music is more relaxed than usual but still contains some of that distinctive Jazz Messengers fire. This rare set is worth searching for. -- Scott Yanow, All Music Guide


BUTTERCORN LADY-LIMELIGHT-82034RECORDED JAN 1/9,1966
Chuck Mangione(tp)Frank Mitchel(ts)Keith Jarrett(p)Reggie Workman (b)Art Blakey(d)
Buttercorn Lady
Recuerdo
The Theme
Between Races
My Romance
Secret Love

BUTTERCORN LADY-LIMELIGHT-82034
Few jazz followers would think of trumpeter Chuck Mangione and pianist Keith Jarrett as former members of Art Blakey's Jazz Messengers, but in 1966, they both worked in the drummer's classic hard bop unit and the stint gave them needed exposure and helped the pair to develop their own individual voices. With tenor saxophonist Frank Mitchell and bassist Reggie Workman completing the quintet, this particular version of The Jazz Messengers only had the opportunity to record this one excellent live LP (which is currently out of print) but proved to be a worthy successor to their more acclaimed predecessors. -- Scott Yanow, All Music Guide

HOLD ON IM COMING-LIMELIGHT-4023 RECORDED MAY 27/66
Chuck Mangione(tp)Tom McIntosh,Garrett Brown(tb)Frank Mitchel(ts)Malcom Bass(org)
Grant Green (g)Reggie Johnson (b)Art Blakey(d)John Rodriguez(cga)
I can't grow Peaches on a Cherry Tree
Walking my Cat Name Dog
Hold On Im Coming
Sakeena
She Blew a Good Thing
Day Dream
Mame
Got My Mojo Working
Secret Agent Man
Monday Monday

HOLD ON IM COMING-LIMELIGHT-4023 
One of the few out-and-out commercial recordings made by drummer Art Blakey during his long career, this attempt at jazzing up some pop tunes features so-so arrangements by Tom McIntosh and Melba Liston on such songs as "Hold on, I'm Coming," "Secret Agent Man," "Mame" and "Monday, Monday." A real curiosity (finding Blakey using organist Malcom Bass as a particularly unlikely sideman), it would not be an understatement to say that this is not one of the more essential Art Blakey recordings. -- Scott Yanow, All Music Guide


MOANIN-ART BLAKEY-LRC9052 RECORDED1968
Bill Hardman(tp)Julian Priester(tb)Billy Harper(ts)Ronnie Matthews(p)Larry Evans(b)Art Blakey(d)
Slide Delight
You Don't Know What Love Is
Blues For Eros
Moanin
Blue Moon
Theme Song

MOANIN-ART BLAKEY-LRC9052
This is a particularly obscure live set by Art Blakey's Jazz Messengers, one not even listed in most discographies. The 1968 edition of Blakey's band was a strong if underrated unit consisting of the drummer/leader, trumpeter Bill Hardman, trombonist Julian Priester, tenor saxophonist Billy Harper, pianist Ronnie Mathews and bassist Lawrence Evans. This CD is well-recorded and is highlighted by "Slide's Delight," and Harper's ballad feature on "You Don't Know What Love Is," and a spirited remake of "Moanin." -- Scott Yanow, All Music Guide
After a decade of steady recording, Art Blakey's Jazz Messengers found their hard bop music somewhat out-of-fashion by the late '60s; in fact, they only recorded two sessions (both live) between 1967-71. This particular one (a budget LP from Everest) is most unusual for the solos of tenor saxophonist Billy Harper are much more advanced than those of Blakey's usual sidemen. With trumpeter Bill Hardman, trombonist Julian Priester, pianist Ronnie Mathews and bassist Larry Evans completing the group, much of the music on these four selections is actually closer to free jazz than to hard bop, making this one of Blakey's most adventurous sets. -- Scott Yanow, All Music Guide

ART BLAKEY LIVE-TRIP-5034RECORDED -AUG 1968
Bill Hardman(tp)Julian Priester(tb)Billy Harper(ts)Ronnie Matthews(p)Larry Evans(b)Art Blakey(d)
New World
Angel Eyes
Slide No2
Theme


MELLOW BLUES-MOON-032-2 RECORDED APRIL15/69
Woody Shaw (tp)Carlos Garrett(ts)George Cables(p)Scott Holt(b)
Art Blakey (d)
A Night In Tunisia
Original Theme

End of Part One-Part Two 1970-1990